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Mary Pickford's Up in Arms Address
In 1944, Mary Pickford assisted
Samuel Goldwyn in his showdown
with the major studios (see chapter
7 excerpt from Hollywood Renegades). In Reno, Nevada, where Fox
theaters dominated the district, SIMPP backed Goldwyn as he converted a ballroom
into a makeshift theater. The opening of the film Up in Arms on August
22, 1944, became a national event. Several SIMPP members lent their support
including Mary Pickford (who attended the Reno opening in person) and Walt
Disney, James Cagney, and Orson Welles who sent out telegrams that became press
releases. Below is the complete text of Mary Pickford's address that was carried
live via radio. In the statement, she also reads from the telegram provided by
Walt Disney.
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Mary
Pickford in 1929, recipient of one of the earliest Oscars for Coquette. (Aberdeen
collection).
To purchase Aberdeen photos for reprint purposes click
here.
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The El Patio Ballroom, Reno - August 22, 1944.
Good evening I am proud to be here tonight to represent two most worthwhile
causes, first, the benefits for the camp and hospital service committee of Reno,
secondly, to take my stand for independence and freedom from the dictates of a
picture theatre monopoly. When Mr. Samuel Goldwyn telephoned me I dropped my
personal business for the time being in order to be here tonight, well knowing
the vital importance of this issue of monopoly, an issue not only vital to Mr.
Goldwyn and all independent producers but to the future advancement of the
American motion picture industry itself.
I have known Samuel Goldwyn the better part of my life as a man of high
purpose, of great courage, a producer of artistic integrity. It is such men as
Samuel Goldwyn whose vision, courage and inspiration has led and emanated the
motion picture from the obscurity of the Nickelodeon era up to the great and
dignified medium of entertainment which it is today. To produce the film Up In
Arms Mr. Goldwyn spent a whole year of intensive work and two and a half million
dollars of his own; that is a lot of time and very great deal of money but to
what avail? Only to be told upon the completion of a year’s work and
expenditure of two and one-half million dollars that he shall not be permitted
to show his picture but dictated by a theater monopoly. I would prefer and in
this I am assured you would agree to sit on a wooden chair, a wooden bench, or
even on the floor to see a fine film than to rest upon plush covered opera
chairs and to be forced to witness a dull, stupid film in the most elaborate
movie palace in the country. No, my friends all the grandeur of the finest
theater does not make nor mar a great film. Bricks, mortar, plush and soft
lights are empty things without fine entertainment which commemorates the very
living soul of the theater.
We are making history here tonight, you, Mr. Goldwyn and I, for we are taking
our stand from our inalienable rights for free enterprise and a free America to
see to it that no man, group, combine nor monopoly shall dictate where, when or
how we shall show our picture.
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Danny
Kaye in Up In Arms (1944) - Movie still from the
famous "Lobby Number" sequence, a satire of musical films,
one of the longest comedy routines of its kind, written by Kaye's wife
Sylvia Fine and Max Liebman. (Aberdeen
collection).
To purchase Aberdeen photos for reprint purposes click
here.
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Our boys, American boys, this very night on the four corners of the earth are
fighting and dying in order to protect Democracy and the American way of life.
Shall we here at home fail them? Shall we permit the American way of life to
perish here in the United States while our men are fighting for that same God
given right in every part of the world? Certainly not, so I say it is not merely
whether this one or a dozen of Mr. Goldwyn’s pictures do, or do not play in
Reno or for that matter in the entire state of Nevada. It is rather the question
whether he and I or other Americans are to be given an opportunity to carry on
our lives and our business openly, honestly and fairly.
There are a number of wires that have come to us, too numerous to read here,
so I shall read just this one from an author whom you all know, respect and
love. It is Walt Disney, one of the outstanding independent producers of the
motion picture industry. It is an indication of how the creative workers of
Hollywood feel about monopoly and I quote, ‘Samuel Goldwyn, Riverside Hotel,
Reno, Nevada, I heartily endorse your efforts to carry directly to the people of
Reno and indirectly to the American public the question whether the motion
picture industry as an industry should continue to exist under American
competition principles or be throttled by monopolistic restrictions and
limitations. When the channels of motion picture reach the public are restricted
or blocked it behooves all of us who are charged with responsibility to the
public for the industry to break down these barriers. Impending world
competition which will be based on low cost and fostered by forming governmental
endowment franchise and tariffs make it imperative that our American products at
least in our own country be permitted to operate without artificial obstacles
being thrown in its path by selfish interest. The American picture must continue
to receive returns, commensurate with the large costs and the better living
standards of the people who make them. Our government has recognized the
importance of American films as political and commercial assets in foreign
relations for America, to lose its leadership in motion pictures would be a blow
to all American industry and to our public relations. The motion picture
industry and in time the American public will acknowledge and appreciate yours,
Sam, your courage and foresight, regards, Walt Disney.’ This is Mary Pickford,
good night and thank you.
SOURCES:
Transcription from radio station KEO, FBI report, October 19,
1944, Salt Lake City, FBI 60-86—see
Trethewey, Walt Disney: The FBI Files, pp. 117-120.
See Bibliography.
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